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A Thousand Clowns

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For the rap group, see 1000 Clowns.

A Thousand Clowns
Theatrical release poster
Directed byFred Coe
Screenplay byHerb Gardner
Based onA Thousand Clowns
by Herb Gardner
Produced byFred Coe
Herb Gardner
Ralph Rosenblum
StarringJason Robards
Barbara Harris
Martin Balsam
Barry Gordon
CinematographyArthur J. Ornitz
Edited byRalph Rosenblum
Music byGerry Mulligan
Don Walker
Distributed byUnited Artists
Release date
  • December 13, 1965 (1965-12-13)
Running time
116 minutes[1]
CountryUnited States
LanguageEnglish
Budget$1 million[2]
Box office$2.4 million (Rentals)[3]

A Thousand Clowns is a 1965 American comedy-drama film directed by Fred Coe and starring Jason Robards, Barbara Harris, Martin Balsam, and Barry Gordon. The script was adapted by Herb Gardner from his 1962 play of the same name. The film tells the story of an eccentric comedy writer who is forced to conform to society to retain legal custody of his nephew.

Jason Robards, Barry Gordon, William Daniels, and Gene Saks all reprised their roles from the original 1962 Broadway production. Martin Balsam won the Academy Award for Best Supporting Actor for his performance in the film.

Plot

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Unemployed television writer Murray Burns (Jason Robards) lives in a cluttered New York City studio apartment with his 12-year-old nephew, Nick (Barry Gordon). Murray has been unemployed for five months after quitting his previous job writing jokes for a children's television show called Chuckles the Chipmunk. Nick, the son of Murray's unwed sister, was left with Murray seven years earlier.

When Nick writes a school essay on the benefits of unemployment insurance, his school requests that New York State send social workers to investigate his living conditions. Investigators for the Child Welfare Board Sandra Markowitz (Barbara Harris) and her superior and boyfriend, Albert Amundson (William Daniels), threaten Murray with removal of the child from his custody unless he can prove he is a capable guardian.

Charmed by Nick and Murray, Sandra argues with Albert, who goes off without her to their next case. Sandra spends the night with Murray. She urges Murray to find a job so that he can keep his nephew, and Murray agrees to look. But he walks out of his job interviews, treating them as a joke, because he feels that work would make him conventional and conformist and make every day the same. He apologizes to Sandra, but she is so disappointed in him that she walks out. Yet he knows that if he wishes to keep his nephew, he must swallow his pride and go back to work.

Murray also feels that he cannot let go of Nick until the boy shows some "backbone". In a confrontation with his brother and agent Arnold (Martin Balsam), Murray expounds his nonconformist worldview: that a person must fight at all costs to retain a sense of identity and aliveness and avoid being absorbed by the homogeneous masses. Arnold retorts that by conforming to the dictates of society, he has become "the best possible Arnold Burns".

Murray agrees to meet with his former employer, the detested Chuckles host Leo Herman (Gene Saks). When Nick does not laugh at Leo's pathetic display of comedy, Leo insults Nick, who quietly but firmly puts Leo in his place. Nick becomes upset with Murray for tolerating Leo's insults, and Murray sees the boy has finally grown a backbone. Realizing that Nick has come of age, Murray resigns himself to going back to his old job, Sandra returns, and the next morning Murray joins the crowds of people heading off to work.

Cast

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Awards and nominations

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Award Category Nominee(s) Result Ref.
Academy Awards Best Picture Fred Coe Nominated [4]
Best Supporting Actor Martin Balsam Won
Best Screenplay – Based on Material from Another Medium Herb Gardner Nominated
Best Scoring of Music – Adaptation or Treatment Don Walker Nominated
American Cinema Editors Awards Best Edited Feature Film Ralph Rosenblum Nominated
Golden Globe Awards Best Motion Picture – Musical or Comedy Nominated [5]
Best Actor in a Motion Picture – Musical or Comedy Jason Robards Nominated
Best Actress in a Motion Picture – Musical or Comedy Barbara Harris Nominated
Laurel Awards Top Male Supporting Performance Martin Balsam Won [6]
National Board of Review Awards Top Ten Films 8th Place [7]
Writers Guild of America Awards Best Written American Comedy Herb Gardner Won [8]

Music

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Music in the film ranges from rudimentary drum cadences to Dixieland arrangements of "The Stars and Stripes Forever". The song "Yes Sir, That's My Baby" is used in several places.

Judy Holliday wrote the lyrics for the theme song "A Thousand Clowns". This was her last film credit, as the film was released after her death on June 7, 1965.

See also

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References

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  1. ^ "A THOUSAND WORDS (U)". United Artists. British Board of Film Classification. October 13, 1966. Archived from the original on October 4, 2013. Retrieved October 1, 2013.
  2. ^ KOOK'S TOUR OF 'A THOUSAND CLOWNS' WITH MISS HARRIS By EUGENE ARCHER. New York Times 14 June 1964: X9.
  3. ^ "Big Rental Pictures of 1966", Variety, 4 January 1967 p 8
  4. ^ "The 38th Academy Awards (1966) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on January 11, 2015. Retrieved August 24, 2011.
  5. ^ "A Thousand Clowns". Golden Globe Foundation. Retrieved July 5, 2021.
  6. ^ "Laurel Awards 1966" (PDF). elkesommeronline.com. Archived (PDF) from the original on December 12, 2021. Retrieved August 3, 2012.
  7. ^ "1965 Award Winners". National Board of Review. Retrieved July 5, 2021.
  8. ^ "Awards Winners". Writers Guild of America Awards. Archived from the original on December 5, 2012. Retrieved June 6, 2010.

Further reading

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